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प्रश्न
'All right!' you 'll cry.'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children?Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Read the lines given above and answer the question given below.
Explain with reference to context.
उत्तर
These lines are taken from the poem TELEVISION, written by Roald Dahl, a British novelist, short story writer and a poet. It is taken from his collection ‘Revolting Rhymes’. It is a stinging satire on Television. In this poem Roald Dahl expresses concern over what the modem invention the television set has done to children. He points out that watching TV has become a craze in modem time. Children of today spend hours together in front of the ‘idiot box’. Roald Dahl is addressing all British parents and telling them that the most important thing one must learn while raising children is to keep them away from the television set. He also says that it is possible to come to a better solution to the problem by not installing a television set in their homes in the first place.
In these lines, Dahl anticipates what the parents’ next question would be. They might agree to take away the television set from their children but will ask how they are supposed to now keep their children entertained and occupied.
In these lines, Dahl tells parents that they cannot have forgotten how children kept themselves entertained before the recent invention of the television.
In these lines, Dahl says that before the coming of television children would read and it is a shame that now they don’t.
In these lines, Dahl creates the alternate landscape that has been mentioned in the section on the poem’s setting. In this landscape, children’s rooms are filled to the brim with books.
APPEARS IN
संबंधित प्रश्न
Thinking about Language
Match the words/phrases in Column A with their meanings in Column B.
| A | B |
| 1. slaving | (i) a quarrel or an argument |
| 2. cgaos | (ii) remove something from inside another thing using a sharp tool |
| 3. rummage | (iii) strange, mysterious. Difficult to explain |
| 4. scrape out | (iv) finish successfully, achieve |
| 5. stumble over, tumble into |
(v) search for something by moving things around hurriedly or carelessly |
| 6. accomplish | (vi) completer confusion and disorder |
| 7. uncanny | (vii) fall, or step awkwardly while waking |
| 8. (to have or get into) a | (viii) working hard |
It was a summer evening,
Old Kaspar's work was done,
And he before his cottage door
Was sitting in the sun,
And by him sported on the green
His little grandchild Wilhelmine.
She saw her brother Peterkin
Roll something large and round,
Which he beside the rivulet
In playing there had found;
He came to ask what he had found,
That was so large, and smooth, and round.
Read the lines given above and answer the question that follow.
What was Peterkin doing?
We will ponder your proposition and when we decide we will let you know. But should we accept it, I here and now make this condition that we will not be denied the privilege without molestation of visiting at any time the tombs of our ancestors, friends, and children. Every part of this soil is sacred in the estimation of my people. Every hillside, every valley, every plain and grove, has been hallowed by some sad or happy event in days long vanished. Even the rocks, which seem to be dumb and dead as the swelter in the sun along the silent shore, thrill with memories of stirring events connected with the lives of my people, and the very dust upon which you now stand responds more lovingly to their footsteps than yours, because it is rich with the blood of our ancestors, and our bare feet are conscious of the sympathetic touch. Our departed braves, fond mothers, glad, happy hearted maidens, and even the little children who lived here and rejoiced here for a brief season, will love these somber solitudes and at eventide they greet shadowy returning spirits. And when the last Red Man shall have perished, and the memory of my tribe shall have become a myth among the White Men, these shores will swarm with the invisible dead of my tribe^ and when your children’s children think themselves alone in the field, the store, the shop, upon the highway, or in the silence of the pathless woods, they will not be alone. In all the earth there is no place dedicated to solitude. At night when the streets of your cities and villages are silent and you think them deserted, they will throng with the returning hosts’that once filled them and still lover this beautiful land. The White Man will never be alone.
Let him be just and deal kindly with my people, for the dead are not powerless. Dead, did I say? There is no death, only a change of worlds.
Read the extract given below and answer the question that follow.
What plea does the speaker make to the white men?
Most terribly cold it was; it snowed, and was nearly quite dark, and evening— the last evening of the year. In this cold and darkness there went along the street a poor little girl, bareheaded, and with naked feet. When she left home she had slippers on, it is true; but what was the good of that? They were very large slippers, which her mother had hitherto worn; so large were they; and the poor little thing lost them as she scuffled away across the street, because of two carriages that rolled by dreadfully fast.
One slipper was nowhere to be found; the other had been laid hold of by an urchin, and off he ran with it; he thought it would do capitally for a cradle when he some day or other should have children himself. So the little maiden walked on with her tiny naked feet, that were quite red and blue from cold. She carried a quantity of matches in an old apron, and she held a bundle of them in her hand. Nobody had bought anything of her the whole livelong day; no one had given her a single farthing. She crept along trembling with cold and hunger—a very picture of sorrow, the poor little thing!
Read the extract given below and answer the question that follow.
Does the author give us a glimpse into the Victorian society?
Then there it lay in her wet palm, perfect, even pierced ready for use, with the sunset shuffled about inside it like gold—?dust. All her heart went up in flames of joy. After a bit she twisted it into the top of her skirt against her tummy so she would know if it burst through the poor cloth and fell. Then she picked up her fork and sickle and the heavy grass and set off home. Ai! Ai! What a day! Her barefeet smudged out the wriggle— ?mark of snakes in the dust; there was the thin singing of malaria mosquitoes among the trees now; and this track was much used at night by a morose old makna elephant—the Tuskless One; but Sibia was not thinking of any of them. The stars came out: she did not notice. On the way back she met her mother, out of breath, come to look for her, and scolding. “I did not see till I was home, that you were not there. I thought something must have happened to you.” And Sibia, bursting with her story, cried “Something did). I found a blue bead for my necklace, look!”
Read the extract given below and answer the question that follow.
Why did Sibia not tell her mother about her fight with the crocodile or how she saved the woman?
How does an electric fan managed to throw so much air when it is switched on?
What does the poet refer to ‘meadow houses’?
Answer the question.
How does the poet plan to find out? What will he do once he finds out?
Answer the following question.
“God lives in the heart of the Panch.” the aunt said. What did she mean?
Read the following extract from T.S. Arthur's short story. 'An Angel in Disguise' and answer the questions that follow:
| "What is to be done with the children?' That was the chief questions now. The dead mother would go underground and be forever beyond all care or concern of the villagers. But the children must not be left to starve. |
- Describe the way in which the children's mother died.
What are the factors that led to her death? [3] - How do the people of the village treat the woman before her death?
How does their manner change after she dies?
What does their behaviour tell us about human nature? [3] - Name the woman's three children.
State one fact about each of them that the author mentions at the very beginning of the story. [3] - What happens to each of the children after the mother's funeral? [3]
- Which of the three children can be considered the 'Angel in Disguise'?
What does the term 'disguise' refer to in the context of this story?
How does the child's arrival transform the home she enters? [4]
