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प्रश्न
How does a tree prove to be beneficial during Summers?
उत्तर
Tree gives cool shade during summer.
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Now read the story
- "Ma!" Mrs. Bramble looked up, beaming with a kind of amiable fat-headedness. A domestic creature, wrapped up in Bill, her husband, and Harold, her son. At the present moment only the latter was with her. He sat on the other side of the table, his lips gravely pursed and his eyes a trifle cloudy behind their spectacles. Before him on the red tablecloth lay an open book. His powerful brain was plainly busy.
- "Yes, dearie?"
- "Will you hear me?"
- Mrs. Bramble took the book.
- "Yes, mother will hear you, precious."
- A slight frown, marred the smoothness of Harold Bramble's brow. It jarred upon him, this habit of his mother's, of referring to herself in the third person, as if she were addressing a baby, instead of a young man of ten who had taken the spelling and dictation prize last term on his head.
- He cleared his throat and fixed his eyes upon the cut-glass hangings of the chandelier.
- "Be good, sweet maid," he began, with the toneless rapidity affected by youths of his age when reciting poetry…..
- "You do study so hard, dearie, you'll give yourself a headache. Why don't you take a nice walk by the river for half an hour, and come back nice and fresh?"
- The spectacled child considered the point for a moment gravely. Then nodding, he arranged his books in readiness for his return and went out. The front door closed with a decorous softness.
- It was a constant source of amazement to Mrs. Bramble that she should have brought such a prodigy as Harold into the world. Harold was so different from ordinary children, so devoted to his books, such a model of behaviour, so altogether admirable. The only drawback was, that his very 'perfection' had made necessary a series of evasions and even deliberate falsehoods, on the part of herself and her husband, highly distasteful to both. They were lovers of truth, but they had realized that there are times when truth must be sacrificed. At any cost, the facts concerning Mr. Bramble's profession must be kept from Harold.
- While he was a baby it had not mattered so much. But when he began to move about and take notice, Mrs. Bramble said to Mr. Bramble, "Bill, we must keep it from Harold." A little later, when the child had begun to show signs of being about to become a model of goodness and intelligence, and had already taken two prizes at the Sunday-school, the senior curate of the parish, meeting Mr. Bramble one morning, said nervously-for after all, it was a delicate subject to broach, "Er-Bramble, I think, on the whole, it would be as well to-er-keep it from Harold."
- And only the other day, Mrs. Bramble's brother, Major Percy Stokes, dropping in for a cup of tea, had said, "I hope you are keeping it from Harold. It is the least you can do", and had gone on to make one or two remarks about men of wrath which, considering that his cheek-bones were glistening with Mr. Bramble's buttered toast, were in poor taste. But Percy was like that. Enemies said that he liked the sound of his own voice.
- Certainly he was very persuasive. Mr. Bramble had fallen in with the suggestion without demur. In private life he was the mildest and most obliging of men, and always yielded to everybody. The very naming of Harold had caused a sacrifice on his part.
- When it was certain that he was about to become a father, he had expressed a desire that the child should be named John, if a boy, after Mr John L. Sullivan, or, if a girl, Marie, after Miss Marie Lloyd. But Mrs Bramble saying that Harold was such a sweet name, he had withdrawn his suggestions with the utmost goodhumour.
- Nobody could help liking this excellent man which made it all the greater pity that his walk in life was of such a nature that it simply had to be kept from Harold.
- He was a professional boxer. That was the trouble.
- Before the coming of Harold, he had been proud of being a professional boxer. His ability to paste his fellow-man in the eye while apparently meditating an attack on his stomach, and vice versa, had filled him with that genial glow of self-satisfaction which comes to philanthropists and other benefactors of the species. It had seemed to him a thing on which to congratulate himself that of all London's teeming millions there was not a man, weighing eight stone four, whom he could not overcome in a twenty-round contest. He was delighted to be the possessor of a left hook which had won the approval of the newspapers.
- And then Harold had come into his life, and changed him into a furtive practitioner of shady deeds. Before, he had gone about the world with a match-box full of press-notices, which he would extract with a pin and read to casual acquaintances. Now, he quailed at the sight of his name in print, so thoroughly had he become imbued with the necessity of keeping it from Harold.
- With an ordinary boy it would not have mattered. However, Harold was different. Secretly proud of him as they were, both Bill and his wife were a little afraid of their wonderful child. The fact was, as Bill himself put it, Harold was showing a bit too much class for them. He had formed a corner in brains, as far as the Bramble family was concerned. They had come to regard him as being of a superior order.
- Yet Harold, defying the laws of heredity, had run to intellect as his father had run to muscle. He had learned to read and write with amazing quickness. He sang in the choir.
- And now, at the age of ten, a pupil at a local private school where they wore mortar boards and generally comported themselves like young dons, he had already won a prize for spelling and dictation. You simply couldn't take a boy like that aside and tell him that the father whom he believed to be a commercial traveller was affectionately known to a large section of the inhabitants of London, as "Young Porky." There were no two ways about it. You had to keep it from him.
- So, Harold grew in stature and intelligence, without a suspicion of the real identity of the square-jawed man with the irregularly-shaped nose who came and went mysteriously in their semi-detached, red-brick home. He was a self-centred child, and, accepting the commercial traveller fiction, dismissed the subject from his mind and busied himself with things of more moment. And time slipped by.
- Mrs. Bramble, left alone, resumed work on the sock which she was darning. For the first time since Harold had reached years of intelligence she was easy in her mind about the future. A week from tonight would see the end of all her anxieties. On that day Bill would fight his last fight, the twenty-round contest with that American Murphy at the National Sporting Club for which he was now training at the White Hart down the road. He had promised that it would be the last. He was getting on. He was thirty-one, and he said himself that he would have to be chucking the game before it chucked him. His idea was to retire from active work and try for a job as an instructor at one of these big schools or colleges. He had a splendid record for respectability and sobriety and all the other qualities which headmasters demanded in those who taught their young gentlemen to box and several of his friends who had obtained similar posts described the job in question as extremely soft. So that it seemed to Mrs. Bramble, that all might now be considered well. She smiled happily to herself as she darned her sock.
- She was interrupted in her meditations by a knock at the front door. She put down her sock and listened.
- Martha, the general, pattered along the passage, and then there came the sound of voices speaking in an undertone. Footsteps made themselves heard in the passage. The door opened. The head and shoulders of Major Percy Stokes insinuated themselves into the room.
- The Major cocked a mild blue eye at her.
- "Harold anywhere about?"
- "He's gone out for a nice walk. Whatever brings you here, Percy, so late? "
- Percy made no answer. He withdrew his head.
- He then reappeared, this time in his entirety, and remained holding the door open. More footsteps in the passage, and through the doorway in a sideways fashion suggestive of a diffident crab, came a short, sturdy, red-headed man with a broken nose and a propitiatory smile, at the sight of whom Mrs. Bramble, dropping her sock, rose as if propelled by powerful machinery, and exclaimed, "Bill!"
- Mr. Bramble - for it was he - scratched his head, grinned feebly, and looked for assistance to the Major.
- "The scales have fallen from his eyes."
- "What scales?" demanded Mrs. Bramble, a literal-minded woman. "And what are you doing here, Bill, when you ought to be at the White Hart, training?"
- "That's just what I'm telling you," said Percy. "I’ve been wrestling with Bill, and I have been vouchsafed the victory."
- "You!" said Mrs. Bramble, with uncomplimentary astonishment, letting her gaze wander over her brother's weedy form.
- "Jerry Fisher's a hard nut," said Mr. Bramble, apologetically. "He don't like people coming round talking to a man he's training, unless he introduces them or they're newspaper gents."
- "After that I kept away. But I wrote the letters and I sent the tracts. Bill, which of the tracts was it that snatched you from the primrose path?"
- "It wasn't so much the letters, Perce. It was what you wrote about Harold. You see, Jane---"
- "Perhaps you'll kindly allow me to get a word in edgeways, you two," said Mrs.Bramble, her temper for once becoming ruffled. "You can stop talking for half an instant, Percy, if you know how, while Bill tells me what he's doing here when he ought to be at the White Hart with Mr. Fisher, doing his bit of training."
- Mr. Bramble met her eye and blinked awkwardly.
- " Percy's just been telling you, Jane. He wrote---"
- "I haven't made head or tail of a single word that Percy's said, and I don't expect to. All I want is a plain answer to a plain question. What are you doing here, Bill, instead of being at the White Hart? "
- "I've come home, Jane."
- "Glory!" exclaimed the Major.
- "Percy, if you don't keep quiet, I'll forget I'm your sister and let you have one. What
do you mean, Bill, you've come home? Isn't there going to be the fight next week,
after all?" - "The fight's over," said the unsuppressed Major, joyfully, "and Bill's won, with me
seconding him." - "Percy!"
- Mr. Bramble pulled himself together with a visible effort.
- "I'm not going to fight, Jane," he said, in a small voice.
- '' You're not going--!"
- "He's seen the error of his ways," cried Percy, the resilient."That's what he's gone
and done. At the eleventh hour." - "Oh! I have waited for this joyful moment. I have watched for it. I---"
- "You're not going to fight!"
- Mr. Bramble, avoiding his wife's eye, shook his head.
- "And how about the money?"
- "What's money? " said the Major, scornfully.
- "You ought to know," snapped Mrs. Bramble, turning on him. "You've borrowed
enough of it from me in your time." - The Major waved a hand in wounded silence. He considered the remark in poor
taste. - "How about the money?" repeated Mrs. Bramble. "Goodness knows I've never liked your profession, Bill, but there is this to be said for it, that it's earned you good money and made it possible for us to give Harold as good an education as any Duke ever had, I'm sure. And you know, you yourself said that the five hundred pounds you were going to get if you beat this Murphy, and even if you lost it would be a hundred and twenty, was going to be a blessing, because it would let us finish him off proper and give him a better start in life than you or me ever had, and now
you let this Percy come over you with his foolish talk, and now I don't know what will happen." - There was an uncomfortable silence. Even Percy seemed to be at a loss for words. Mrs. Bramble sat down and began to sob. Mr. Bramble shuffled his feet.
- "Talking of Harold," said Mr. Bramble at last, " That's , really what I'm driving at. It was him only whom I was thinking of when I hopped it from the White Hart. It would be written up in all the papers, instead of only in the sporting ones. As likely as not there would be a piece about it in the Mail, with a photograph of me. And you know Harold reads his Mail regularly. And then, don't you see, the fat would be in the fire. "That's what Percy pointed out to me, and I seen what he meant, so I hopped it."
- "At the eleventh hour," added the Major, rubbing in the point.
- "You see, Jane---" Mr. Bramble was beginning, when there was a knock at the door, and a little, ferret-faced man in a woollen sweater and cycling knickerbockers entered, removing as he did so a somewhat battered bowler hat.
- "Beg pardon, Mrs. Bramble," he said, " coming in like this. Found the front door ajar, so came in, to ask if you'd happened to have seen-"
- He broke off and stood staring wildly at the little group.
- "I thought so!" he said, and shot through the air towards Percy.
- "Jerry !" said Bill.
- "Mr. Fisher!" said Mrs. Bramble,
- "Be reasonable," said the Major, diving underneath the table and coming up the other side like a performing seal.
- "Let me get at him," begged the intruder, struggling to free himself from Bill's restraining arms.
- Mrs. Bramble rapped on the table.
- "Kindly remember there's a lady present, Mr. Fisher."
- The little man's face became a battlefield on which rage, misery, and a respect for the decencies of social life struggled for mastery.
- "It's hard," he said at length, in a choked voice. "I just wanted to break his neck for him, but I suppose it's not to be. I know it's him that's at the bottom of it. And here I find them together, so I know it's him. Well, if you say so, Mrs. B., I suppose I mustn't put a hand on him. But it's hard. Bill, you come back along with me to the White Hart. I'm surprised at you. Ashamed of you, I am. All the time you and me have known each other, I've never known you do such a thing. You are such a pleasure to train as a rule. It all comes of getting with bad companions."
- Mr. Bramble looked at his brother-in-law miserably.
- "You tell him," he said.
- "You tell him, Jane," said the Major.
- "I won't," said Mrs. Bramble.
- "Tell him what? " asked the puzzled trainer.
- "Well?"
- "It's only that I'm not going to fight on Monday."
- "What!"
- "Bill has seen a sudden bright light," said Percy, edging a few inches to the left, so that the table was exactly between the trainer and himself. "At the eleventh hour, he has turned from his wicked ways. You ought to be singing with joy, Mr. Fisher, if you really loved Bill. This ought to be the happiest evening you've ever known. You ought to be singing like a little child."
- A strange, guttural noise escaped the trainer. It may have been a song, but it did not sound like it.
- "It's true, Jerry," said Bill, unhappily. "I have been thinking it over, and I'm not going to fight on Monday."
- "Glory!" said the Major, tactlessly.
- Jerry Fisher's face was a study in violent emotions. His eyes seemed to protrude from their sockets like a snail's. He clutched the tablecloth.
- "I'm sorry, Jerry," said Bill. " I know it's hard on you. But I've got to think of Harold. This fight with Jimmy Murphy being what you might call a kind of national affair, in a way of speaking, will be reported in The Mail as like as not, with a photograph of me, and Harold reads The Mail regular. We've been keeping it from him all these years that I'm in the profession, and we can't let him know now. He would die of shame, Jerry."
- Tears appeared in Jerry Fisher's eyes.
- "Bill," he cried, " you're off your head. Think of the purse!"
- "Ah!" said Mrs. Bramble.
- "Think of all the swells that'll be coming to see you. Think of what the papers'll say. Think of me."
- "I know, Jerry, it's chronic. But Harold---"
- "Think of all the trouble you've taken for the last few weeks getting yourself into condition."
- "I know. But Har---"
- "You can't not fight on Monday."
- "But Harold, Jerry. He'd die of the disgrace of it. He ain't like you and me, Jerry. He's a little gentleman. I got to think of Harold"
- "What about me, pa?" said a youthful voice at the door; and Bill's honest blood froze at the sound. His jaw fell, and he goggled dumbly.
- There, his spectacles gleaming in the gaslight, his cheeks glowing with the exertion of the nice walk, his eyebrows slightly elevated with surprise, stood Harold himself.
- "Halloa, pa! Halloa, Uncle Percy! Somebody's left the front door open. What were you saying about thinking about me, pa? Ma, will you hear me, my piece of poetry again? I think I've forgotten it."
- The four adults surveyed the innocent child in silence.
- On the faces of three of them consternation was written. In the eyes of the fourth, Mr. Fisher, there glittered that nasty, steely expression of the man, who sees his way to getting a bit of his own back, Mr. Fisher's was not an un-mixedly chivalrous nature. He considered that he had been badly treated, and what he wanted most at the moment was revenge. He had been fond and proud of Bill Bramble, but those emotions belonged to the dead past. Just at present, he felt that he disliked Bill rather more than anyone else in the world, with the possible exception of Major Percy Stokes.
- "So you're Harold, are you, Tommy? " he said, in a metallic voice." Then just you listen here a minute."
- "Jerry," cried Bill, advancing, "you keep your mouth shut, or I'll dot you one."
- Mr. Fisher retreated and, grasping a chair, swung it above his head.
- "You better! " he said, curtly.
- ''Mr. Fisher, do be a gentleman," entreated Mrs. Bramble.
- "My dear sir." There was a crooning winningness in Percy's voice. "My dear sir, do nothing hasty. Think before you speak. Don't go and be so silly as to act like a mutton-head. I'd be ashamed to be so spiteful. Respect a father's feelings."
- "Tommy," said Mr. Fisher, ignoring them all, "you think your pa's a commercial. He ain't. He's a fighting-man, doing his eight-stone-four ringside, and known to all the heads as ' Young Porky.' "
- Bill sank into a chair. He could see Harold's round eyes staring at him.
- "I'd never have thought it of you, Jerry," he said, miserably. "If anyone had come to me and told me that you could have acted so raw I'd have dotted him one."
- "And if anyone had come to me and told me that I should live to see the day when you broke training a week before a fight at the National, I'd given him one for himself."
- "Harold, my lad," said Percy, "you mustn't think none the worse of your pa for having been a man of wrath. He hadn't seen the bright light then. It's all over now. He's given it up for ever, and there's no call for you to feel ashamed."
- Bill seized on the point.
- "That's right, Harold," he said, reviving, "I've given it up. I was going to fight an American named Murphy at the National next Monday, but I ain't going to now, not if they come to me on their bended knees. Not even if the King of England came to me on his bended knees."
- Harold drew a deep breath.
- "Oh!" he cried, shrilly. "Oh, aren't you? Then what about my two bob? What about my two bob, I've betted Dicky Saunders that Jimmy Murphy won't last ten rounds?"
- He looked round the room wrathfully.
- "It's thick," he said in the crisp, gentlemanly, voice of which his parents were so proud. "It's jolly thick. That's what it is. A chap takes the trouble to study form and saves up his pocket-money to have a bet on a good thing, and then he goes and gets let down like this. It may be funny to you, but I call it rotten. And another thing I call rotten is you having kept it from me all this time that you were 'Young Porky,' pa. That's what I call so jolly rotten! There's a fellow at our school who goes about swanking in the most rotten way because he once got Phil Scott's autograph. Fellows look up to him most awfully, and all the time they might have been doing it to me. That's what makes me so jolly sick. How long do you suppose they'd go on calling me, 'Goggles' if they knew that you were my father? They'd chuck it tomorrow, and look up to me like anything, I do call it rotten. And chucking it up like this is the limit. What do you want to do it for? It's the silliest idea, I've ever heard. Why, if you beat Jimmy Murphy they'll have to give you the next chance with Sid
Sampson for the Lonsdale belt. Jimmy beat Ted Richards, and Ted beat the Ginger Nut, and the Ginger Nut only lost on a foul to Sid Sampson, and you beat Ted Richards, so they couldn't help letting you have the next go at Sid." - Mr. Fisher beamed approval.
- "If I've told your pa that once, I've told him twenty times," he said. "You certainly know a thing or two, Tommy."
- "Well, I've made a study of it since I was a kid, so I jolly well ought to. All the fellows at our place are frightfully keen on it. One chap's got a snapshot of Jimmy Wilde. At least, he says it's Jimmy Wilde, but I believe it's just some ordinary fellow. Anyhow, it's jolly blurred, so it might be anyone. Pa, can't you give me a picture of yourself boxing? I could swank like anything. And you don't know how sick a chap gets of having chaps call him, 'Goggles.' "
- "Bill," said Mr. Fisher, "you and me had better be getting back to the White Hart."
- Bill rose and followed him without a word.
- Harold broke the silence which followed their departure. The animated expression which had been on his face as he discussed the relative merits of Sid Sampson and the Ginger Nut had given place to the abstracted gravity of the student.
- "Ma!"
- Mrs. Bramble started convulsively.
- "Yes, dearie?"
- "Will you hear me? "
- Mrs. Bramble took the book.
- ''Yes, mother will hear you, precious," she said, mechanically.
- Harold fixed his eyes upon the cut-glass hangings of the chandelier.
- "Be good, sweet maid, and let who will be clever-clever. Do noble things.. "
About the Author
Sir Pelham Grenville Wodehouse, KBE (15 October 1881 - 14 February 1975) was a comic writer who enjoyed enormous popular success during his career as an acknowledged master of English prose. Wodehouse has been admired both by his contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by modern writers such as Douglas Adams, Salman Rushdie, Zadie Smith and Terry Pratchett.
Best known today for his Jeeves and Blandings Castle novels and short stories, Wodehouse was also a playwright and lyricist who was part author and writer of 15 plays and of 250 lyrics for some 30 musical comedies. He worked with Cole Porter on the musical 'Anything Goes' (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song "Bill" in Kern's Show Boat (1927), wrote the lyrics for the Gershwin - Romberg’s musical Rosalie (1928) and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).
The poem is about a brook. A dictionary would define a brook, as a stream or a
small river. Read the poem silently first. After the first reading, the teacher will
make you listen to a recording of the poem. What do you think the poem is all
about?
I come from haunts of coot and hern;
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.
By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.
Till last by Philip's farm I flow
10 To join the brimming river,
For men may come and men may go,
But I go on for ever.
I chatter over stony ways,
In little sharps and trebles,
15 I bubble into eddying bays,
I babble on the pebbles.
With many a curve my banks I fret
By many a field and fallow,
And many a fairy foreland set
20 With willow-weed and mallow.
I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
25 I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,
And here and there a foamy flake
30 Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,
And draw them all along, and flow
To join the brimming river
35 For men may come and men may go,
But I go on for ever.
I steal by lawns and grassy plots,
I slide by hazel covers
I move the sweet forget-me-nots
40 That grow for happy lovers.
I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.
45 I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;
And out again I curve and flow
50 To join the brimming river,
For men may come and men may go,
But I go on for ever.
About the Poet
Lord Tennyson (1809-92) was born in Lincolnshire. Poet Laureate for over 40 years, Tennyson is representative of the Victorian age. His skilled craftsmanship and noble ideals retained a large audience for poetry in an age when the novel was engrossing more and more readers. Tennyson's real contribution lies in his shorter poems like The Lady of Shallot, The Princess, Ulysses, The Palace of Art etc. His fame rests on his perfect control of sound, the synthesis of sound and meaning, and the union of visual and musical.
The next man looking 'cross the way
Saw one not of his church
And Couldn't bring himself to give
The fire his stick of birch.
The third one sat in tattered clothes.
He gave his coat a hitch.
Why should his log be put to use
To warm the idle rich?
The rich man just sat back and thought
of the wealth he had in store
And how to keep what he had earned
From the lazy shiftless poor.
Read the lines given above and answer the question that follow.
Why did the rich man refuse to use his stick of wood?
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set-----
Or better still, just don't install
The Idiotic thing at all.
In almost every house we've been,
we've watched them gaping at the screen
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Read the lines given above and answer the question given below.
Name some of the things that the poet has seen in house which have televisions.
And is mine one?' said Abou.
'Nay, or not so,'Replied the angel,
Abou spoke more low,
But cheery still; and said ,'I pray thee, then,
Write me as one that loves His fellow men.'
Read the lines given above and answer the following question.
What did the angel tell Adhem?
“Jane,” said the wheelwright, with an impressiveness of tone that greatly subdued his wife, “I read in the Bible sometimes, and find much said about little children. How the Savior rebuked the disciples who would not receive them; how he took them up in his arms, and blessed them; and how he said that ‘whosoever gave them even a cup of cold water should not go unrewarded.’ Now, it is a small thing for us to keep this poor motherless little one for a single night; to be kind to her for a single night; to make her life comfortable for a single night.”
The voice of the strong, rough man shook, and he turned his head away, so that the moisture in his eyes might not be seen. Mrs. Thompson did not answer, but a soft feeling crept into her heart.
“Look at her kindly, Jane; speak to her kindly,” said Joe. “Think of her dead mother, and the loneliness, the pain, the sorrow that must be on all her coming life.” The softness of his heart gave unwonted eloquence to his lips.
Read the extract given below and answer the question that follow.
Why does the author make the character repeat the phrase, ‘a single night’?
Beside him in the shoals as he lay waiting glimmered a blue gem. It was not a gem, though: it was sand—?worn glass that had been rolling about in the river for a long time. By chance, it was perforated right through—the neck of a bottle perhaps?—a blue bead. In the shrill noisy village above the ford, out of a mud house the same colour as the ground came a little girl, a thin starveling child dressed in an earth—?coloured rag. She had torn the rag in two to make skirt and sari. Sibia was eating the last of her meal, chupatti wrapped round a smear of green chilli and rancid butter; and she divided this also, to make
it seem more, and bit it, showing straight white teeth. With her ebony hair and great eyes, and her skin of oiled brown cream, she was a happy immature child—?woman about twelve years old. Bare foot, of course, and often goosey—?cold on a winter morning, and born to toil. In all her life, she had never owned anything but a rag. She had never owned even one anna—not a pice.
Why does the writer mention the blue bead at the same time that the crocodile is introduced?
Ans. The author mentions the blue bead at the same time that the crocodile is introduced to create suspense and a foreshadowing of the events’to happen.
Read the extract given below and answer the question that follow.
Describe the blue bead.
Sibia sprang.
From boulder to boulder she came leaping like a rock goat. Sometimes it had seemed difficult to cross these stones, especially the big gap in the middle where the river coursed through like a bulge of glass. But now she came on wings, choosing her footing in midair without even thinking about it, and in one moment she was beside the shrieking woman. In the boiling bloody water, the face of the crocodile, fastened round her leg, was tugging to and fro, and smiling. His eyes rolled on to Sibia. One slap of the tail could kill her. He struck. Up shot the water, twenty feet, and fell like a silver chain. Again! The rock jumped under the blow. But in the daily heroism of the jungle, as common as a thorn tree, Sibia did not hesitate. She aimed at the reptile’s eyes. With all the force of her little body, she drove the hayfork at the eyes, and one prong went in—right in— while its pair scratched past on the horny cheek. The crocodile reared up in convulsion, till half his lizard body was out of the river, the tail and nose nearly meeting over his stony back. Then he crashed back, exploding the water, and in an uproar of bloody foam he disappeared. He would die. Not yet, but presently, though his death would not be known for days; not till his stomach, blown with gas, floated him. Then perhaps he would be found upside down among the logs at the timber boom, with pus in his eye. Sibia got arms round the fainting woman, and somehow dragged her from the water.
Read the extract given below and answer the question that follow.
Why does Sibia think of the two brass vessels when the Gujar woman is attacked?
Which casket does Arragon finally choose? Whose portrait does he find inside? Which casket actually contains Portia's portrait?
The constitution of the animal farm had elapsed for two years. As the summer wore on,. various unforeseen shortages began to make themselves felt. There was need of paraffin oil, nails, string, dog biscuits, and iron for the horses' shoes, none of which could be produced on the farm. Later, there would also be need for seeds and artificial manures, besides various tools and, finally, the machinery for the windmill.
Give an account of the trip to The Victoria am Albert Museum that was planned by Braithwaif, for his class.
Complete the sentence below by appropriately using anyone of the following:
if you want to/if you don’t want to/if you want him to
He’ll post your letter___________________.
Where did the old flea collected by Mr Wonka live?
Fans don’t talk, but it is possible to imagine that they do. What is it, then, that sounds like the fan’s chatter?
State an adjective used to describe the tree.
Why does the snake kill insects?
Answer the question.
What do you think these phrases from the poem mean?Punished in the corner.
What was announced on the loudspeakers before the start of the race in the poem, ‘Nine Gold Medals’?
Read the passage given below and answer the questions (i), (ii) and (iii) that follow:
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(1) |
Something happens to cats after we have enjoyed a delicious meal. Call it a feline sugar hit or a rush of good feelings. Abandoning our usually sedentary nature, we transform into crazy beasts who thunder down corridors, spring from one piece of furniture to another, or pounce from behind half-closed doors to attack the shoelaces of unsuspecting passersby. It is as though we are temporarily possessed. |
5 |
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(2) |
That, at least, is my excuse, dear reader - and the only explanation I can offer for my entirely unplanned global TV debut. |
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(3) |
To be fair, I had no way of knowing that my master was receiving visitors that particular afternoon. Nor that he was being interviewed live, let alone by one of America’s most famous journalists. |
10 |
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(4) |
All I knew was that, a few minutes after gorging myself on a favourite treat of creamy pudding, I felt that sudden, primal explosion of energy. I made my way back to the suite of rooms that I shared with my master and felt an overpowering compulsion to do something completely mad. I wanted to run like a furious jungle cat, at that particular moment. |
15 |
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(5) |
Bursting through the door of the room in which my master received visitors, I tore up the carpet as I raced towards the sofa opposite where he was sitting. I ripped its fabric as I scrambled up its side like a savage creature clawing its way up a perilous cliff. Then with a final, frenzied burst, I launched myself off one arm of the sofa, leaping towards the other. |
20 |
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(6) |
It was only at this point that I realised the sofa was occupied by the journalist. She was halfway through a sentence, and my abrupt appearance caught my master's guest completely by surprise. |
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(7) |
You know, when something truly unexpected happens, time can seem to slow down. Well, that’s how it was. As I flew past the woman's face, her expression turned from one of calm engagement to that of total surprise. |
25 |
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(8) |
I As she pushed back in her seat to avoid me, the shock on her face could not have been more evident. |
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(9) |
But, dear reader, she was not more shaken than me. I had not been expecting anyone on the sofa, let alone a TV celebrity, nor one who was mid-interview. As I headed towards the opposite end of the sofa, for the first time I observed the lighting, the cameras and the crew watching the action from the shadows. By the time I landed on the other arm of the sofa, all the energy that had propelled me was gone. |
30
35 |
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(10) |
I was, no longer, a furious jungle cat. |
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(11) |
The journalist looked at me. I looked at her. Both of us were taking in what had just happened. I was also conscious of the cameras still rolling as well as many pairs of eyes watching me at that moment. My moment of global glory. |
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Adapted from: The Dalai Lama's Cat Omnibus |
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(i)
- Given below are three words and phrases. Find the words which have a similar meaning in the passage: [3]
- inactive
- eating in a greedy manner
- dangerous
- For each of the words given below, write a sentence of at least ten words using the same word unchanged in form, but with a different meaning from that which it carries in the passage: [3]
- thunder (line 3)
- spring (line 3)
- past (line 26)
(ii) Answer the following questions in your own words as briefly as possible:
- What is the usual nature of the narrator's kind? How is it differently presented in the passage? [2]
- What did the 'favourite treat of creamy pudding' do to the narrator? [2]
- Describe the actions of the narrator after bursting into the visitors' room. [2]
- How did the journalist react when the narrator 'flew past' her face? [2]
(iii) Summarise how the narrator became a global celebrity (paragraphs 4 to 11). You are required to write the summary in the form of a connected passage in about 100 words. Failure to keep within the word limit will be penalised. [6]
How does Malcolm’s character grow and change over the course of the play? Incorporate the following details and write your answer in a short paragraph of about 100-150 words.
- Malcolm’s testing of Macduff in Act IV
- His generalship and the restoration of order through Macduff
