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प्रश्न
What childhood memories does the author recollect that had a bearing on his later involvement with filmmaking?
उत्तर
The author had a childhood that made him aware of the two main types of characters in life. The good and the villainous. He came to know about these from his father who prepared sermons. From this knowledge, he easily connected to the stories.
Red Riding Hood and the Wolf, and all the others. And the wolf was the Devil, without horns but with a tail and a gaping red mouth. From imagining these bits to imagining church bells and hearing a piano from a picture at his grandmother's house at Uppsala everything was a part of his creative association with his childhood memories.
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संबंधित प्रश्न
What connection does the author draw between filmmaking and conjuring?
What is the nature of the first impressions that form the basis for a film?
Which art form is film-making closest to? What is the reason for the similarity?
Quite often a film made out of a book is not very successful. Discuss.
What, according to Bergman, is the relationship between a filmmaker and his audience?
What is the story of the Cathedral of Chartres and how does the author relate it to his profession?
What are some of the flaws of the world of filmmaking today?
Pick out examples from the text that show Bergman’s sensitivity to sensory impressions which have made him a great filmmaker.
What do you understand of the complexity of the little invisible steps that go into the making of a good film?
What are some of the risks that film-making involves?
What misgivings does Bergman have about the contemporary film industry?
Compare Bergman’s views about making films out of books with that of Umberto Eco’s.
According to the author, split-second impressions form a ‘mental state, not an actual story, but one abounding in fertile associations and images’.
Compare this with Virginia Woolf’s experiment with the stream of consciousness technique in ‘The Mark on the Wall’.
Bergman talks about the various influences in his life including his parents and his religious upbringing. To what extent are an individual’s achievements dependent on the kind of influences he or she has had in life? Discuss.
Autobiographical accounts make interesting reading when the author selects episodes that are connected to the pursuit of excellence. How does this apply to Ingmar Bergman’s narration of the details of film-making?
Comment on the conversational tone of the narration. Compare this with the very informal style adopted by Umberto Eco in the interview.
Think of a particular episode that could be enacted. Now imagine that you are a scriptwriter and write the screenplay for the first ten minutes of the episode, in the following format
| Title : | |
| Actors : | |
| Scene - 1 | |
| Description | Dialogue |
The column ‘Dialogue’ would contain the words to be actually spoken by the characters. ‘Description’ would include instructions regarding stage props, the position of lights, movement of actors, and so on.
What apprehensions does Ingram harbour regarding the contemporary film industry?
