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Question
Read the extract given below and answer the questions that follow:
I stand and look at them long and long.
They do not sweat and whine about their condition.
(a) The poet who has written these lines is ____________
i. Robert Frost
ii. Carolyn Wells
iii. Walt Whitman
iv. Ogden Nash
(b) Who are ‘they’ referred to here?
i. Animals
ii. Tigers
iii. Ananda’s friend's
iv. Wanda’s dresses
(c) The poet looks at them long and long because he __________
(d) Which word in the extract means ‘complain’?
Solution
(a) iii. Walt Whitman
(b) i. Animals
(c) admires the behaviour of animals and wants to stay with them.
(d) whine
RELATED QUESTIONS
A1. Saving Motherland
I can save my motherland by putting an end to ……..
Republic Day! We grow aware
That nothing can be wrought by prayer
-Prop of the credulous-until
It is supported everywhere
By an all-powerful people's will !
We have been witness in the past to sights impossible to bear:
Famine and drought and dread and doom
Continue still to spread the gloom
Of humans turned to skeletons, to shrivelled bags of naked bones
Who have not even strength to vent their suffering through sobs and groans……
MAY EVERY Indian's heart become
An unafraid announcing drum
Echoing and re-echoing a new hope and a new desire
To burn up rubbish-heaps of hate,
Once and for all. Time cannot wait!
Burn up all selfish aims and ends in a great nation's cleansing fire!
Let India's millions chant in chorus:
A mighty future stands before us-
Down with all ruthless tyranny, down with all exploitation which
Renders the poor the poorer-and renders the bloated rich, more rich !
A 2. How does the poet express the condition of people during famines and droughts? (2)
Match:
Match the line with the figure of speech:
| 'A' | ‘B’ |
| (i) Drought and dread and doom | (a) Personification |
| (ii) Time cannot wait | (b) Alliteration |
| (c) Metaphor |
Read the following extract and answer the questions given below :
We, heroes and poor devils;
the feeble, the braggarts; the unfinished,
and capable of everything impossible
as long as it's not seen or heard
Don Juans, women and men, who come and go
with the fleeting passage of a runner
or of a shy hotel for travellers.
And we with our small vanities,
our controlled hunger for climbing
and getting as far as everybody else has gotten
because it seems that is the way of the world.
(1) Who are heroes and what are they capable of? (1)
(2) According to you, what difficulties do the middle-class people face? (1)
(3) Name and explain the figure of speech in the following line :
... Women and men, who come and go. (1)
(4) Pick out the line from the extract, which shows the overambitious nature of the middle-class people. (1)
Read the following extract and answer the questions given below:
I ran into a stranger as he passed by
"Oh, excuse me please'' was my reply.
He said, ''Please excuse me too; wasn't even watching ·for you.''
We were very polite, this stranger and I.
We went on our way and we said good-bye.
But at home, a different story is told,
How we treat our loved ones, young and old.
Later that day, cooking the evening meal,
My daughter stood beside me very still.
When I turned, I nearly knocked her down.
''Move out of the way," I said with a frown.
She walked away, her little heartbroken.
I didn't realize how harshly I'd spoken.
(1) How does the poetess greet the stranger?
(2) Describe an incident when your mother was harsh at you.
(3) Write down the rhyme scheme of the first stanza.
(4) Pick out the line from the extract which shows the mother's anger.
Read the following extract and answer the questions given below:
Read the extract and do the activities that follow: (4)
| Tom | : | (down L.). I believe the place is haunted |
| George | : | Nonsense. No one believes in haunted houses nowadays. There's someting gueer about the place, I'II admit, but can't be haunted. (Scream off R.) |
| Ginger | : | Listen! What was that ? (Scream repeated. This time much louder.) |
| Alfie | : | I want to go home ! |
| Tom | : | It sounds as though someone's being murdered. (Grappling with the door). I'm going to force this door. |
| Ginger | : | (Crossing L.) It's going to be a tough job, Tom |
| Alfie | : | (more lustily). I want to go home |
| George | : | (up C.) Shut up Alfie, you'II rose the house. Listen! There's someone coming _____ and it's someone in white |
| Ginger | : | It's a ghost |
| Alfie | : | (rushing to the door L.) I'm going home! |
| George | : | (coming down L.) Let me give you a hand with this door. |
| Tom | : | Buck up! |
| Ginger | : | Put your shoulder against it. (Enter the Ghost R. In the dim light his figure has a distinctly uncanny appearance). |
| Ghost | : | What on earth's the meaning of this commotion? (IIe switches on the light and is seen to be a dentist, wearing a white surgical coat. The “grinning mouths'' are seen to be models made of plaster of Paris. The boys stare about them in amazement) |
| Dentist | : | (sternly). Who are you, and what are you doing in my house? |
| Tom | : | I say – I'm awfully sorry – but we thought you were a ghost. |
| Dentist | : | (bewildered). A ghost! Why on earth should you think I was a ghost? |
| George | : | (crossing C.) I'm awfully sorry, sir. You see, we were out carol-singing, and____ |
| Dentist | : | Oh, so it was you who who were making that horrible din outside? |
| George | : | Yes – that was Ginger's idea ____ |
B1. Complete _____
Complete the following sentences:
(i) The boys considered the dentist as a ghost , because ________
(ii) Listening to the repeated scream, Tom thought that ________
(iii) The grinning mouths were models made of ________
(iv) The idea of carol-singing was given by _______
B2. Convert dialogue into a story:
Convert the above dialoguc into a story in about 50 words.
Read the following poem and write an appreciation of it with the help of the given points in a paragraph format:
|
The Pulley When God at first made Man, So strength first made a way; For if I should (said He) Yet let him keep the rest, |
- The title of the poem (1)
- The poet (1)
- Central idea/theme (2)
- Rhyme scheme (1)
- Figure of speech (1)
- Special features (2)
- Favourite line/lines (1)
- Why I like/don’t like the poem (1)
Read the extract and do the activities that follow: (4)
| Tom | : | (nervously). But, I say, we can’t go prowling about someone else’s house. |
| George | : | We can if we hear any suspicious noises. You never know ? this place might belong to a gang of criminals. |
| Tom | : | (sarcastically). You certainly are trying to cheer us up, George. We don’t want to meet a gang of criminals. |
| George | : | Why not? We’re all strong, healthy chaps, aren’t we? Are you in a funk already? |
| Tom | : | No, of course not; but ? well ? Alfie’s got his best suit on, and |
| Ginger | : | Never mind about Alfie's suit. (With a great show of courage). I’m not afraid of any criminals. Here, George, lend me that torch. (Taking the torch and going up R.C.). I’ll show you if I’m afraid. (Suddenly seeing the White models and letting out a yell of terror.) Ow! W - what's that? |
| Tom | : | (down C., not daring to look round). What’s what? |
| Ginger | : | C- come here. I thought I saw something grinning at me. |
| Tom | : | (crossing hastily to door L.). I’m going to get out of here. |
| Ginger | : | (Coming down C.) So am I. I’m not afraid of criminals, but I believe this place is haunted. |
| George | : | Talk sense, Ginger. Here, give me that torch. (Takes torch and goes up R. C.) |
| Alfie | : | (down L.C.) I want to go home. |
| Ginger | : | Can you see anything, George? |
| George | : | (cautiously approaching white models). I can’t make out what it is, but I believe it's an animal. I say ? there’s something alive in here ? I can see its teeth. (Under the light of George’s torch a row of teeth can be dimly seen). |
| Alfie | : | (rushing to the door) Let me out! Let me out! I want to go home! |
B1. Pick up the false sentences from those given below and write down the correct ones for them :(2)
(i) Alfie wanted to stay at the place to fight with the animal.
(ii) Ginger yelled of terror when he noticed white models grinning at him.
(iii) According to George's opinion, the boys could not go prowling about someone else’s house.
(iv) Tom had no desire to meet a gang of criminals.
B2. Convert dialogue into a story : (2)
Convert the above dialogue into a story form in about 50 words.
Read the following extract and answer the questions given below:
I celebrate the virtues and vices
of suburban middle-class people
who overwhelm the refrigerator
and position colourful umbrellas
near the garden that longs for a pool:
for my middle-class brother
this principle of supreme luxury:
what are you and what am I, and we go on deciding
the real truth in this world.
(1) Give a list of the objects of luxury as given in the extract.
(2) What is your idea about a Luxurious life?
(3) Give an example of a 'paradox' from the extract.
(4) This poem does not follow any fix-verse pattern (rhyme scheme). What type of poem is it?
Read the following extract and answer the questions given below:
Now there is only one type of bobcat we see
The one that is for free, clearing the pavements of all debris
We used to walk through a footpath in a forest of pine
The smell intoxicating our lungs and mind
Now the only smell to be found comes from plastic trees
Swaying on my rear-view mirror, labelled pine breeze
We used to watch the valley play hide and seek
Questions:
(1) What signs of urbanisation are mentioned in the first six lines of the extract?
(2) Do you think skyscrapers are necessary? Why do you think so?
(3) Pick out the example of personification from the extract.
(4) Pick out the lines from the extract expressing the fond memory of the poet about the pines.
Read the extract given below and answer the questions that follow:
"But I can get a hair-dye
And set such colour there,
Brown, or black, or carrot,
That young man in despair
May love me for myself alone
And not my yellow hair."
(a) Who is speaking these line?
(b) Why are young men in despair?
(c) What is the antonym of the word, 'despair'?
