English

Think of a particular episode that could be enacted. Now imagine that you are a scriptwriter and write the screenplay for the first ten minutes of the episode, in the following format - English Elective - NCERT

Advertisements
Advertisements

Question

Think of a particular episode that could be enacted. Now imagine that you are a scriptwriter and write the screenplay for the first ten minutes of the episode, in the following format

Title :
Actors :
Scene - 1
Description Dialogue
   

The column ‘Dialogue’ would contain the words to be actually spoken by the characters. ‘Description’ would include instructions regarding stage props, the position of lights, movement of actors, and so on.

Chart

Solution

The enactment of the “Mother’s Day” by J.B.Priestly -

Dialogue Description
Mrs. Fitzerland - (angry face. stren voice) Why don't you teach your kids a lesson? they need to know your importance! Footlight - dimmed. Atmosphere - sad
Mrs. Pearson - (lost in deep thoughts. Still thinking as to why her children and husband don't treat her with respect.) I think we need to teach them a lesson as soon as possible.

Prop - False smoke to show a change in the thoughts of Mrs.Pearson.

Both actors stand mid - stange.

shaalaa.com
Film-making
  Is there an error in this question or solution?
Chapter 3.3: Film-making - Things to do [Page 164]

APPEARS IN

NCERT English - Kaleidoscope Class 12
Chapter 3.3 Film-making
Things to do | Q 1 | Page 164

RELATED QUESTIONS

What childhood memories does the author recollect that had a bearing on his later involvement with filmmaking?


What connection does the author draw between filmmaking and conjuring?


What is the nature of the first impressions that form the basis for a film?


Which art form is film-making closest to? What is the reason for the similarity?


Quite often a film made out of a book is not very successful. Discuss.


What, according to Bergman, is the relationship between a filmmaker and his audience?


What is the story of the Cathedral of Chartres and how does the author relate it to his profession?


What are some of the flaws of the world of filmmaking today?


What do you understand of the complexity of the little invisible steps that go into the making of a good film?


What are some of the risks that film-making involves?


What misgivings does Bergman have about the contemporary film industry?


Compare Bergman’s views about making films out of books with that of Umberto Eco’s.


According to the author, split-second impressions form a ‘mental state, not an actual story, but one abounding in fertile associations and images’.

Compare this with Virginia Woolf’s experiment with the stream of consciousness technique in ‘The Mark on the Wall’.


Bergman talks about the various influences in his life including his parents and his religious upbringing. To what extent are an individual’s achievements dependent on the kind of influences he or she has had in life? Discuss.


Autobiographical accounts make interesting reading when the author selects episodes that are connected to the pursuit of excellence. How does this apply to Ingmar Bergman’s narration of the details of film-making?


Comment on the conversational tone of the narration. Compare this with the very informal style adopted by Umberto Eco in the interview.


What apprehensions does Ingram harbour regarding the contemporary film industry?


Share
Notifications

Englishहिंदीमराठी


      Forgot password?
Use app×