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Historiography : Development in the West
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Historiography : Indian Tradition
The Electoral Process
Political Science : Working of the Indian Constitution
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History of Indian Arts
- What is ‘Art’?
- Indian Traditions of Visual Arts (Drik Kala): Painting
- Prehistoric Paintings
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- Folk Styles of Paintings
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- Miniature Paintings in Manuscripts
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- Indian Traditions of Visual Arts (Drik Kala): Sculpture Art
- Indus Civilization Sculpture
- Folk Styles of Sculptural Art
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- Indian Iconography
- Indian Traditions of Visual Arts (Drik Kala): Architecture and Sculpture
- Rock-cut Architecture
- Temple Architecture
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Challenges to Democracy Remedial Measures to the Challenges
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Internal work
Democracy
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Political Parties and Types
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Notes
Rock-cut caves:
- Rock-cut architecture is the creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs.
- Temples, tombs, and cave dwellings were the three main uses of rock-cut architecture.
- The oldest rock-cut architecture is the Barabar caves in Bihar, which were built around the third century BC.
- Because India had many rocky mountains, rock-cut architecture was ideal, and structures excavated in stone were the most durable.
- Technically the entire composition of a rock-cut cave represents a union of architecture and sculptural art.
- Its entrances, interiors with its carved columns, and images are excellent specimens of sculptural art. The paintings on the walls and ceiling have survived in some of the caves till today.
Phases of Rock-cut architecture:
Phase 1: The first rock-cut caves were built by Ashoka and his grandson Dasaratha. The early Buddhist architecture spans the years 2nd century BC to 2nd century AD. This period's excavations are mostly made up of chaityas and viharas. They were mostly made of wood. Early Buddhist architecture can still be seen in Karla, Kanheri, Nasik, Bhaja, and Bedsa, as well as Ajanta.
Phase 2: In the fifth century AD, the second phase of rock-cut architecture began. This stage was distinguished by the removal of timber and the incorporation of the image of the Buddha as a dominant feature of the architectural design. Viharas underwent a slight change during this time, the inner cells inhabited by the monks alone, now housed the image of the Buddha as well.
Phase 3: The next, and possibly most dominant, phase in the rock-cut tradition is the Dravidian rock-cut style. The main characteristics of this style are mandapa and ratha. The mandapa is an open pavilion carved from rock. It's a simple columned hall with two or more cells in the back wall. The ratha is a single-stone shrine carved out of solid rock.
Examples of Rock-cut Architecture:
Caves | Particulars |
Kanheri Caves |
1. Kanheri Cave: Location: Mumbai
|
Jogeshwari caves |
2. Jogeshwari caves: Location: Salsette
|
Karla caves Chaitya Hall, Karla Cave No.8 |
3. Karla caves:
|
Bhaja caves Chaitya, Cave No. 12, Bhaja |
4. Bhaja caves: Location: near Pune
|
Ellora caves Gajasur Shiva, Cave No.15, Ellora Parvati and Dancing Shiva in an Ellora cave Vishnu at the Dashavatara Ellora temple
|
5. Ellora caves: Location: Maharashtra
|
Ajanta caves |
6. Ajanta caves: Location: Aurangabad
|
Elephanta caves Three-face image of Shiva Ardhanariswara |
7. Elephanta caves: Location: Mumbai
|