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प्रश्न
What is the butterfly busy doing?
उत्तर
Butterfly seems to be busy in sucking nectar from the flowers. It appears as if the butterfly uses a drinking straw to do so.
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संबंधित प्रश्न
What did Einstein call his desk drawer at the patent office? Why?
Think and write a short account of what life in Rameswaram in the 1940s must have been like. (Were people rich or poor? Hard working or lazy? Hopeful of change, or resistant to it?)
How does Iswaran describe the uprooted tree on the highway? What effect does he want to create in his listeners?
On the basis of your understanding of the poem, answer the following question
by ticking the correct choice.
The poet's lament in the poem 'The Solitary Reaper' is that __________.
Old Kaspar took it from the boy,
Who stood expectant by;
And then the old man shook his head,
And,with a natural sigh,
"Tis some poor fellow's skull," said he,
"Who fell in the great victory.
"I find them in the garden,
For there's many here about;
And often when I go to plough,
The ploughshare turns them out!
For many thousand men,"said he,
"Were slain in that great victory."
Read the lines given above and answer the question that follow.
Explain with reference to context.
He looked at me very blankly and tiredly, and then said, having to share his worry with someone, “The cat will be all right, I am sure. There is no need to be unquiet about the cat. But the others. Now what do you think about the others?”
“Why they’ll probably come through it all right.”
“You think so?”
“Why not,” I said, watching the far bank where now there were no carts.
“But what will they do under the artillery when I was told to leave because of the artillery?”
“Did you leave the dove cage unlocked?” I asked.
“Yes.”
“Then they’ll fly.”
“Yes, certainly they’ll fly. But the others. It’s better not to think about the others,” he said.
Read the extract given below and answer the question that follow.
What does the old man worry about? Why?
“Jane,” said the wheelwright, with an impressiveness of tone that greatly subdued his wife, “I read in the Bible sometimes, and find much said about little children. How the Savior rebuked the disciples who would not receive them; how he took them up in his arms, and blessed them; and how he said that ‘whosoever gave them even a cup of cold water should not go unrewarded.’ Now, it is a small thing for us to keep this poor motherless little one for a single night; to be kind to her for a single night; to make her life comfortable for a single night.”
The voice of the strong, rough man shook, and he turned his head away, so that the moisture in his eyes might not be seen. Mrs. Thompson did not answer, but a soft feeling crept into her heart.
“Look at her kindly, Jane; speak to her kindly,” said Joe. “Think of her dead mother, and the loneliness, the pain, the sorrow that must be on all her coming life.” The softness of his heart gave unwonted eloquence to his lips.
Read the extract given below and answer the question that follow.
What brought eloquence to Joe’s lips when he spoke to his wife?
I could hear the squeaking that heralded the evening arrival of the bats. I listened to the noises of the approaching night. Every day my hearing grew sharper. I was learning to filter out whatever I did not need to listen to, and giving no sign that I could hear everything that went on in the house.
I could not sleep. The air was heavy and still, the moon hidden behind thick banks of cloud. Lord Otori was sound asleep. I did not want to leave the house I'd come to love so much, but I seemed to be bringing nothing but trouble to it. Perhaps it would be better for everyone if I just vanished in the night. [5]
Now I heard the hiss of hot water as the bath was prepared, the clatter of dishes from the kitchen, the sliding sigh of the cook's knife, a dog barking two streets away, and the sounds of feet on the wooden bridges on the canals. I knew the sounds of the house, day and night, in the sunshine and under the rain. This evening I realized I was always listening for something more. I was waiting too. For what? [10]
I began to wonder if I could get out of the house without setting the dogs barking and arousing the guards. I started consciously listening to the dogs. Usually, I heard them bark on and off throughout the night, but I'd learned to distinguish their barks and to ignore them. I set my ears for them but heard nothing. Then I started listening for the guards: the sound of a foot on stone or a whispered conversation. Nothing. Sounds that should have been there been missing from the night's familiar web. [20]
Now I was wide-awake, straining my ears to hear. There came the slightest of sounds, hardly more than a tremor, between the window and the ground.
For a moment I thought it was the earth-shaking, as it so often did. Another tiny tremble followed, then another. Someone was climbing up the side of the house [25]
My first instinct was to yell out, but cunning took over. I rose from the mattress and crept silently to Lord Otori's side. I knelt beside him and whispered in his ear, "Lord Otori, someone is, outside." [30]
He woke instantly and then reached for the sword and knife that lay beside him. I gestured to the window. The faint tremor came again.
Lord Otori passed the knife to me and stepped to the wall. I moved to the other side of the window. We waited for the assassin to climb in.
Step by step he came up the wall, stealthy and unhurried as if he had all the time in the world. We waited for him with the same patience. [35]
He paused on the sill to take out the knife he planned to use on us and then stepped inside. Lord Otori took him in a stranglehold. The intruder wriggled backwards. I leaped at him, and the three of us fell into the garden like a flurry of fighting cats. [40]
The man fell first, across the stream, striking his head on a boulder. Lord Otori landed on his feet. My fall was broken by one of the shrubs. The intruder groaned, tried to rise, but slipped back into the water.
"Get a light," Lord Otori said.
I ran to the house, took a light that still burned in one of the candle stands and carried it back to the garden. [45]
The assassin had died without regaining consciousness. It turned out he had a poison pellet in his mouth and had crushed it as he tell. He was dressed in black, with no marking on his clothes. I held the light over him. There was nothing to tell us who he was. [50]
(i) Given below are four words and phrases. Find the words which have a similar meaning in the passage:
(1) Coming near
( 2 ) Disappeared suddenly
(3) Awakening from sleep
(4) Moved slowly and gradually
(ii) For each of the words given below, write a sentence of at least ten words using the same word unchanged in form, but with a different meaning from that which it carries in the passage:
(1) Bats ( line 1 )
( 2 ) Sign ( line 4 )
( 3 ) Banks ( line 6 )
( 4 ) Back ( line 43 )
Why is Mr. Purcell compared to an owl?
Discuss the following topic in groups.
Do you think there is life on other planets? Can you guess what kind of people there may be on them? In what ways are they likely to be different from us?
What was the king’s reaction when he came to know that he had lost the challenge?
What is in general, the relationship between a mongoose and a snake?
Read the lines in which the following phrases occur. Then discuss with your partner the meaning of each phrase in its context.
meadow houses
The story ‘Taro’s Reward’ shows that Taro is thoughtful, hardworking and also wise. Read aloud the parts of story that show these qualities in Taro.
What does the poem Whatif talk about? Give a few examples of some of the child’s worries or cynical fears.
Multiple Choice Question:
Which of the fears is not applied to the speaker?
The words helper, companion, partner and accomplice have very similar meanings, but each word is typically used in certain phrases. Can you fill in the blanks below with the most commonly used words? A dictionary may help you.
tennis / golf / bridge …………….
Read the extract given below and answer the questions that follow:
Portia: The quality of mercy is not strained; It droppeth as the gentle rain from heaven Upon the place beneath : it is twice blessed : It blesseth him that gives and him that takes. Tis mightiest in the mightiest; it becomes The throned monarch better than his crown: |
- Where does this scene take place? Why Is Portia here? [2]
- To what is mercy compared in these lines? [2]
- Why does Portia call mercy ‘twice blessed’?
Explain the lines:
‘Tis mightiest in the mightiest: it becomes
the throned monarch better than his crown: [3] - Later in her speech Portia mentions a sceptre. What is a sceptre?
How, according to Portia, is mercy above the ‘sceptred sway’? [3]
In the poem, We are the Music Makers, what are the 'sea-breakers'?
In Act V of the play Macbeth, which one of the following do you think reflects the tragic arc of the play?
(P) Macbeth’s soliloquy; “Out, out brief candle, Life’s but a walking shadow.”
(Q) Lady Macbeth’s breakdown: “What’s done cannot be undone.”
(R) Macduff’s greeting: “Hail, King of Scotland.”
(S) Malcolm’s final words: “So, thanks to all at once and to each one, whom we invite to see us crowned at Scone.”