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Thinking About Poemwhat Does He Mean by “The Strength of the Tree Exposed”? - English (Moments)

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प्रश्न

Thinking about Poem

What does he mean by “the strength of the tree exposed”?

उत्तर

The strength of the tree lies in its roots, which the poet asks to snap out in order to kill the tree. Thus, the phrase “the strength of the tree exposed” refers to the roots of the tree being exposed to sunlight and air.

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  या प्रश्नात किंवा उत्तरात काही त्रुटी आहे का?
पाठ 8.2: On Killing a Tree (poem) - Thinking about the Poem [पृष्ठ १११]

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एनसीईआरटी English - Beehive Class 9
पाठ 8.2 On Killing a Tree (poem)
Thinking about the Poem | Q 1.6 | पृष्ठ १११

संबंधित प्रश्‍न

What does the swallow see when it flies over the city?


Why did the swallow not leave the prince and go to Egypt?


Pick out word from the text that mean the same as the following word or expression. (Look in the paragraph indicated.)

a strong desire arising from within : _________


1. I first met Private Quelch at the training depot. A man is liable to acquire in his firs week of Army life - together with his uniform, rifle and equipment- a nickname. Anyone who saw Private Quelch, lanky, stooping, frowning through horn-rimmed spectacles, understood why he was known as the Professor. Those who had any doubts on the subject lost them after five minutes' conversation with him.
2. I remember the first lesson we had in musketry. We stood in an attentive circle while a Sergeant, a man as dark and sun-dried as raisins, wearing North-West Frontier ribbons, described the mechanism of a service rifle.
3. "The muzzle velocity or speed at which the bullet leaves the rifle", he told us, "is
well over two thousand feet per second."
4. A voice interrupted. "Two thousand, four hundred and forty feet per second." It
was the Professor.
5. "That's right," the Sergeant said without enthusiasm, and went on lecturing. When he had finished, he asked us questions; and, perhaps in the hope of revenge, he turned with his questions again and again to the Professor. The only result was to enhance the Professor's glory. Technical definitions, the parts of a rifle, its use and care, he had them all by heart.
6. The Sergeant asked, "Have you had any training before?"
7. The Professor answered with a phrase that was to become familiar to all of us. "No, Sergeant. It's all a matter of intelligent reading."
8. That was our introduction to him. We soon learned more about him. He saw to that. He meant to get on, he told us. He had the brains. He was sure to get a commission, before long. As a first step, he meant to get a stripe.
9. In pursuit of his ambition he worked hard. We had to give him credit for that. He borrowed training manuals and stayed up late at nights reading them. He badgered the instructors with questions. He drilled with enthusiasm, and on route marches he was not only miraculously tireless but infuriated us all with his horrible heartiness. "What about a song, chaps?" is not greeted politely at the end of thirty miles. His salute at the pay table was a model to behold. When officers were in sight he would swing his skinny arms and march to the canteen like a Guardsman.
10. And day in and day out, he lectured to us in his droning, remorseless voice on every aspect of human knowledge. At first we had a certain respect for him, but soon we lived in terror of his approach. We tried to hit back at him with clumsy sarcasms and practical jokes. The Professor scarcely noticed; he was too busy working for his stripe.
11. Each time one of us made a mistake the Professor would publicly correct him. Whenever one of us shone, the Professor outshone him. When, after a hard morning's work of cleaning out our hut, we listened in silence to the Orderly Officer's praise, the Professor would break out with a ringing, dutifully beaming, "Thank you, sir!" And how superior, how condescending he was. It was always,
"Let me show you, fellow," or, "No, you'll ruin your rifle that way, old man."
12. We used to pride ourselves on aircraft recognition. Once, out for a walk, we heard the drone of a plane flying high overhead. None of us could even see it in the glare of the sun. Without even a glance upward the Professor announced, "That, of course, is a North American Harvard Trainer. It can be unmistakably identified by the harsh engine note, due to the high tip speed of the airscrew."
What could a gang of louts like us do with a man like that? 13. None of us will ever forget the
drowsy summer afternoon which was such a turning-point in the Professor's life.
14. We were sprawling contentedly on the warm grass while Corporal Turnbull was taking a lesson on the hand grenade.
15. Corporal Turnbull was a young man, but he was not a man to be trifled with. He had come back from Dunkirk with all his equipment correct and accounted for and his kitten in his pocket. He was
our hero, and we used to tell each other that he was so tough that you could hammer nails into him without his noticing it.
16. _"The outside of a grenade, as you can see," Corporal Turnbull was saying, "is divided up into a large number of fragments to assist segmentation"
17. "Forty-four"
18. "What's that?" The Corporal looked over his shoulder
19. "Forty-four segments." The Professor beamed at him.
20. The Corporal said nothing, but his brow tightened. He opened his mouth to
resume.
21. "And by the way, Corporal." We were all thunder-struck.
22. The Professor was speaking again. "Shouldn't you have started off with the five characteristics of the grenade? Our instructor at the other camp always used to do that, you know."
23. In the silence that followed a dark flush stained the tan of the Corporal's face. "Here," he said at last, "you give this lecture". As if afraid to say any more, he tossed the grenade to the Professor. Quite unabashed, Private Quelch climbed to his feet and with the attitude of a man coming into his birth-right gave us an unexceptionable lecture on the grenade.
24. The squad listened in a cowed, horrified kind of silence. Corporal Turnbull stood and watched, impassive, except for a searching intentness of gaze. When the lecture was finished he said, "Thank you, Private Quelch. Fall in with the others now." He did not speak again until we had fallen in and were waiting to be dismissed. Then he addressed us. 25. "As some of you may have heard," he began deliberately, "the platoon officer has  asked me to nominate one of you for…." He paused and looked lingeringly up and down the ranks as if seeking final confirmation of decision.
26. So this was the great moment! Most of us could not help glancing at Private Quelch, who stood rigidly to attention and stared straight in front of him with an expression of self-conscious innocence.
27. ______"…..for permanent cookhouse duties, I've decided that Private Quelch is just the man for the job."
28. Of course, it was a joke for days afterwards; a joke and joy to all of us.
29. I remember, though.............
30. My friend Trower and I were talking about it a few days later. We were returning from the canteen to our own hut.
31. Through the open door, we could see the three cooks standing against the wall as if at bay; and from within came the monotonous beat of a familiar voice.
32. "Really. I must protest against this abominably unscientific and unhygienic method of peeling potatoes. I need to only draw your attention to the sheer waste of vitamin values.............."
33. We fled.
About the Author
Alexander Baron (1917-1999) has written many novels, including 'There's no Home',
' The Human Kind', 'Queen of the East', 'Seeing Life' and The How Life', along with
film scripts and television plays. He started life as an Asstt. Editor of The Tribune and
later edited the 'New Theater.' He served in the army during the Second World War.


Reviewing verb forms


Old Kaspar took it from the boy,
Who stood expectant by;
And then the old man shook his head,
And,with a natural sigh,
"Tis some poor fellow's skull," said he,
"Who fell in the great victory.
"I find them in the garden,
For there's many here about;
And often when I go to plough,
The ploughshare turns them out!
For many thousand men,"said he,
"Were slain in that great victory."

Read the lines given above and answer the question that follow.

Why does the poet use a skull?


But even as he approached the boy, Mr. Oliver sensed that something was wrong. The boy appeared to be crying. His head hung down, he held his face in his hands, and his body shook convulsively. It was a strange, soundless weeping, and Mr. Oliver felt distinctly uneasy.

Well, what’s the matter, he asked, his anger giving way to concern. What are you crying for? The boy would not answer or look up. His body continued to be wracked with silent sobbing.

Oh, come on, boy. You shouldn’t be out here at this hour. Tell me the trouble. Look up.

Read the extract given below and answer the question that follow.

Why did Mr Oliver’s anger change to concern?


Read the extract given below and answer the questions that follow:

There’s nobody on the house-tops now …..
Just a palsied few at the windows set;
For the best of the sight is, all allow,
At the Shambles’ Gate …… or, better yet,
By the very scaffold’s foot, I trow.
–  The Patriot, Robert Browning

(i) Who is the speaker? Where is he being taken? Why? 

(ii) Describe the scene when he had walked down the same street a year ago. 

(iii) Where does the speaker think all the people had gathered that day? Why does he think so? 

(iv) Describe the speaker's physical condition.

(v) What is the central message of the poem? Does the poem and on a note of hope or despair? Give one reason for your answer.


Write ‘True’ or ‘False’ against each of the following statements.

(i) Timothy and Grandfather went to Lucknow in a special compartment.

(ii) The compartment in which Grandfather and Timothy travelled had no other passenger.

(iii) Timothy and Grandfather travelled in a first-class compartment.

(vi) All passengers in the compartment thought that Timothy was a well-fed and civilized tiger.


Find in the poem lines that match the following. Read both one after the other.

He says cats are better.


Notice how in a comic book, there are no speech marks when characters talk. Instead what they say is put in a speech ‘bubble’. However, if we wish to repeat or ‘report’ what they say, we must put it into reported speech

Change the following sentences in the story to reported speech.  

(i) Why is your face half-shaven?Gopal’s wife asked him______________________.


Who is Mridu and with whom Mridu went to Rukku Manni’s place?


What was the need for Mr Wonka to invent Vita-Wonk?


What did the second bird say to him?


What did the crocodile tell the monkey midstream?


How does a tree prove to be beneficial during Summers?


What does the word ‘gong in the passage mean?____________.


In Act V, Scene I of the play, The Tempest, Ariel reminds Prospero that it was the sixth hour because ______.


In Act V of the play Macbeth, which one of the following do you think reflects the tragic arc of the play?

(P) Macbeth’s soliloquy; “Out, out brief candle, Life’s but a walking shadow.”

(Q) Lady Macbeth’s breakdown: “What’s done cannot be undone.”

(R) Macduff’s greeting: “Hail, King of Scotland.”

(S) Malcolm’s final words: “So, thanks to all at once and to each one, whom we invite to see us crowned at Scone.”


Read the two statements from the short story, The Cookie Lady and choose the correct option from the ones given below.

Statement I: “Why don’t you read to me from your books? You know I don’t see too well anymore and it’s comfort to me to be read to.”

Statement II: “You don’t mind if I touch your arm, do you?”


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