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Indian Traditions of Visual Arts (Drik Kala): Sculpture Art - Indus Civilization Sculpture

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Indus Civilization Sculpture 

  • During the second half of the third millennium BCE, the arts of the Indus Valley Civilisation emerged.
  • Sculptures, seals, pottery, jewellery, terracotta figures, and other forms of art have been discovered at various sites throughout the civilisation.
  • The artists of that period must have had fine artistic sensibilities and a vivid imagination. Because the anatomical details included in them were unique, their representation of human and animal figures was highly realistic in nature, and the modelling of animal figures in terracotta art was done with extreme care.
  • While Harappa and Mohenjodaro are in Pakistan, important archaeological sites in India include Lothal and Dholavira in Gujarat, Rakhigarhi in Haryana, Ropar in Punjab, Kalibangan in Rajasthan, and others.

1. Bronze Casting

  • The Harappans widely practised the art of bronze-casting.
  • Kalibangan and Daimabad have yielded significant examples of metal-cast sculptures.
  1. Dancing Girl: The earliest bronze sculpture dating to 2500 BCE is the 'Dancing Girl' from Mohenjodaro. This four-inch-high copper figure of a dancing girl is one of the most well-known Indus Valley artefacts. This exquisite casting, discovered in Mohenjodaro, depicts a girl with long hair tied in a bun. Her left arm is decorated with bangles, her right arm with a bracelet and an amulet or bangle, and her neck is adorned with a cowry shell necklace. Her right hand is on her hip, and her left hand is clasped in the manner of a traditional Indian dance gesture. Her eyes are large and her nose is flat. This figure is expressive and energetic, conveying a lot of information. 

    Dancing Girl (sculpture) - Wikipedia

    Dancing Girl

  2. Chariot: A similar group of bronze statuettes dating to 1500 BCE was discovered during an archaeological excavation in Daimabad, Maharashtra. The 'Chariot,' whose wheels are represented in simple circular shapes while the driver or human rider has been elongated, and the bulls in the forefront are modelled in sturdy forms, is significant.

    Chariot 

  3. Bull: This bronze bull figure from Mohenjodaro is noteworthy. The massiveness of the bull and the fury of the charge are described in detail. The animal is depicted standing with his head to the right and a cord around his neck.

    Bull

2. Bearded Priest: 

Priest-King (sculpture) - Wikipedia

Bearded Priest

The bearded man, interpreted as a priest, is draped in a shawl that comes under his right arm and covers his left shoulder. This shawl features trefoil patterns. The eyes are slightly elongated and half-closed, as in meditation. The nose is medium in size and well-formed; the mouth is average in size with a close-cut moustache and a short beard and whiskers, and the ears resemble double shells with a hole in the middle. A plain woven fillet is wrapped around the head, and the hair is parted in the middle. On the right hand, an armlet is worn, and holes around the neck suggest a necklace. 

3. Mother Goddess: 

Mother Goddess

Mother goddess figures are typically crude-standing female figures wearing a loin cloth and a girdle and adorned with necklaces hanging over prominent breasts. The fan-shaped headdress with a cup-like projection on each side is a distinctive decorative feature of the Indus Valley mother goddess figures. The figures' pellet eyes and beaked noses are crude, and the mouth is indicated by a slit.

4. Pashupati seal/female deity: 

Pashupati seal - Wikipedia

Pashupati seal/female deity

This seal features a cross-legged human figure. An elephant and a tiger are depicted on the right side of the seated figure, while a rhinoceros and a buffalo are depicted on the left. In addition to these animals, two antelopes are depicted beneath the seat. Seals like these were discovered in large numbers at sites like the ancient city of Mohenjodaro in the Indus Valley between 2500 and 1900 BCE. 

5. Pottery:

Painted burial pottery | Harappa

Pottery 

The majority of Indus Valley pottery is made on a wheel, with only a few exceptions being handmade. Plain pottery is more common than painted ware. Polychrome pottery is uncommon and consists primarily of small vases decorated with geometric patterns in red, black, and green, with a few examples in white and yellow.

 

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